ADOBE AFTER EFFECT TRANSITIONS HOW TO
ADOBE AFTER EFFECT TRANSITIONS FULL
ADOBE AFTER EFFECT TRANSITIONS TV

Once added, you can drag the start and end points of the correspondence line around at will.В Add enough points to clearly define how the shape of the remote control should be deformedВ into the soccer ball shape. You can add additional correspondence points by selecting the Reshape effect and ALT-clicking onto the edges of the source or the destination mark. Correspondence points are represented as lines connecting the source and destination mask and define which part of the source will be deformedВ into which part of the destination.Д«y default the Reshape effect will have only a single correspondence point defined. For this, we have to define the Correspondence Points of the Reshape effect. Since we want the remote to transform into the shape of the soccer ball, set the Source Mask property to the вЂRemoteвЂ™ and the Destination Mask property to the вЂSoccer BallвЂ™ mask.Д«efore we morph the remote into the soccer ball shape we have to tell After Effects how this shape transformation should take place. This effect allows you to deformВ the contents of one mask into the contents of another mask on the same layer.ДЄpply the Reshape effect to the Remote Morph layer. Go to the Effects & Presets panel and search for the вЂReshapeвЂ™ effect. We will first concentrate on making the Remote morph into the shape of the soccer ball so disable the visibility of the Soccer Ball Morph layer.

Animate the soccer ballВ take shape from the remote control.

Animate the remote control to reshape into the soccer ball.

Set the mask mode to вЂNoneвЂ™ so the mask has no effect on the contents of this layer.Д«ecause each layer contains both masksВ and because we will use it to control the morph effect, the naming of these masks is very important!В Now that weвЂ™ve got the basics set up for the morph effect we will use the Reshape effect to transform the remote control into the soccer ball! Morphing an Object with the Reshape Effect Now select the вЂRemoteвЂ™ mask on the Remote Morph layer and copy and paste it onto the Soccer Ball Morph layer. Set the mask mode to вЂNoneвЂ™ so this mask has no effect on the contents of the footage.

Select the вЂSoccer BallвЂ™ mask and copy and paste it onto the Remote Morph layer. Change the name of this mask to вЂSoccer BallвЂ™.

ADOBE AFTER EFFECT TRANSITIONS FULL

Trim the layer down to start at the same time as the Remote Morph layer and end when the full Soccer ball layer kicks in.ДЄs before, add a mask to the soccer ball in the Soccer Ball Morph layer.ДЄgain, animate the Mask Path property to have the mask follow the shape of the ball as precisely as possible for the duration of the morph effect.

First, duplicate the layerВ and rename the copy to вЂSoccer Ball MorphвЂ™.

Now repeat the same process for the Soccer Ball layer. Finally, and this is important, rename the mask to вЂRemoteвЂ™ so we can easily identify it. You should end up with a number of keyframes on the Mask Path property and the mask should follow the shape of the remote as precisely as possible.

ADOBE AFTER EFFECT TRANSITIONS HOW TO

If you donвЂ™t know how to do this, go check out my After Effects masking tutorial. Make sure this layer ends exactly when the soccer ball layer becomes visible.ДЄpply a mask to the remote control in my hand and animate the Mask Path property so the mask follows the movement of the remote. For this, duplicate the Remote layer, rename this copy to вЂRemote MorphвЂ™, and trim it down to the duration of the morph effect. The first thing to do however, is to morph the remote control in my hand into the soccer ball. We will clean up thisВ transition as partВ if this tutorial. Also, sinceВ I did not manage to hold perfectly still, the position of my hands and arms does change slightly from one clip to the next. There will beВ anВ obvious cut where the remote control suddenly turnsВ into the soccer ball. Try to align these two clips as best as you can for a seamless transition. Morphing One Object Into AnotherДЇirst off, import the clip you filmed into After Effects.В Create two separate layers, one going up to the moment where your helper is replacing the object and the second one starting after the object has been replaced.В IВ cut out the middle sectionВ where Celina pops up and replaces the remote with a soccer ball. The last step is to create a smooth transition between the remote and the soccer ball to really sell the morph effect! That is what I will teach youВ in this tutorial. After Celina has left the frame again I continue to move as if nothing had happened. Celina then comes into the scene and replaces the object in my hand while I try to hold perfectly still.

AsВ I spin my hand over the object I freeze all movement.

ADOBE AFTER EFFECT TRANSITIONS TV

In the intro sequence I am holding a TV remote and then, moving my right over it, it transforms into a soccer ball directly in my hands! A lot of people have asked me howВ I created the VFX for the intro of my popular Adobe After Effects morphing tutorial.

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